Keep learning the salsa.
— Jorge
— Macklemore & Ryan Lewis, “Cant Hold Us - feat. Ray Dalton”
Over the rope.
— Kristin
I gave my oopsy, daisy, now you’ve got the crazy.
Crazy with the books, googley-goo where’s the gravy.
So one two, unbuckle my, um shoe.
Yabba doo, hippity-hoo, crack a brew.
— Das EFX, “The Want EFX”
I’d rather have my honeycomb.
— Das EFX, “The Want EFX”
I’ve been worryin’ that I’m losing.
— Ben Howard, “The Fear”
You can’t walk now.
— person in car
We MaDalmini Uph'umqomboth.
— Umqombothi
Any attempt to criticize works of Architecture or Typography, any hope of appreciating and fostering significant new work in either field, must be based on knowledge of what sort of field it is.
— Beatrice Warde, “Typography and Architecture”
Good art keeps you warm.
— Andy Goldsworthy, Rivers and Tides
When asked about its meaning, Bayer modestly explained that the mound could be sat in.
— Gwen F. Chanzit, Herbert Bayer : collection and archive at the Denver Art Museum
If you’re not being misunderstood, you’re not adding anything to the conversation.
— Alex Ebert
The Miesian skyscraper is the basis of a superb vernacular.
— Ada Louise Huxtable, The Tall Building Artistically Reconsidered: The Search for a Skyscraper Style
I guess I just wanted you to know that I ain’t stubborn, is all.
— Dan Evans, 3:10 to Yuma
— Tyga, “Rack City”
But he exaggerates a great truth.
— Alan Ryan
Killin’ it.
— Eleanor Davies
It was actually created for his own tomb.
— Lia Markey
Must be a lie.
— Edward Sharpe & The Magnetic Zeros, “40 Day Dream”
Should we fire him before he cashes that check?
— Roger Sterling, “To Have and to Hold,” Mad Men