Sunday, November 17, 2024
Every element of text in the book-essays, captions, end notes, ISBN, and cover-is set in 11 pt Diatype Semi-Mono. This deliberate typesize choice was made to remove conventional typographic hierarchies.
— @christophersleboda
Saturday, November 16, 2024
Sometimes I show his adorable face, sometimes I hide it. I'm figuring out in real time what feels best. It's for all the reasons you'd imagine it is, but also - there's something so magical about childhood. It just feels like it should be a bubble of peace and privacy and coziness as much as it can be. "Well then why even share the picture if you're going to cover his face?" I guess because l've always thought of this as a digital scrapbook, and it doesn't feel right if he's not in it - a lot! Pictures like this, altered though they are, still make me smile and remind me of this moment in time. A time when he spent almost his whole first year of life in the feedstore as we embarked on this wild adventure. This is just where l've landed for now. A little bit of both, and reserving the right to feel differently at any time.
— @bigskycaroline
Friday, November 15, 2024
Not knowing things that many others do often has serious economic consequences.
— J. D. Vance, Hillbilly Elegy
Thursday, November 14, 2024
When you have completed what you thought you had to do
— The Raconteurs, "Steady, As She Goes"
Wednesday, November 13, 2024
I think actually humanity has been protected by the fact that the overlap between really smart, well-educated people and people who want to do really horrific things has generally been small. Let’s say I’m someone who I have a PhD in this field, I have a well-paying job. There’s so much to lose. Even assuming I’m completely evil, which most people are not, why would such a person risk their life, risk their legacy, their reputation to do something truly, truly evil? If we had a lot more people like that, the world would be a much more dangerous place. And so my worry is that by being a much more intelligent agent, AI could break that correlation.
— Dario Amodei, "Dario Amodei: Anthropic CEO on Claude, AGI & the Future of AI & Humanity | Lex Fridman Podcast #452"
Tuesday, November 12, 2024
A few weeks ago, dozens of photographs of the "We Are Our Mountains" ("Tatik-Papik*) monument in occupied Artsakh disappeared from Wikimedia Commons. A red text box emerged, warning against uploading new images in which the monument features prominently, as it is located in "a country that does not provide Wikimedia Commons-acceptable freedom of panorama." The monument, composed of volcanic tuff stone and weighing thousands of pounds, had not moved, of course. But its surrounding, invisible borders, and thus applicable copyright laws, had changed.
— @hyperallergic, "When Copyright Transforms the Right to Remember"
Monday, November 11, 2024
Perhaps one day he will read this book and understand. As Gloria wrote in her journal in 1971, reflecting on the deaths of the people she knew and loved, "So many and then there's no one left but one's self. Then one knows it's only the long walk of the blood, one's children, that endure."
— Anderson Cooper and Katherine Howe, Vanderbilt: The Rise and Fall of an American Dynasty
Sunday, November 10, 2024
For 27 years, photographer Deanna Dikeman photographed her parents waving goodbye in their driveway.
— @welcome.jpeg
Saturday, November 9, 2024
"I'm a writer" Truman Capote said, "and I use everything."
— Anderson Cooper and Katherine Howe, Vanderbilt: The Rise and Fall of an American Dynasty
Friday, November 8, 2024
Isamu Noguchi, Lobby Ceiling for Magic Chef Building (now a U-Haul store), 1946-1948.
— @craighlee
Thursday, November 7, 2024
l've been wary of what and how much to share these past few months. Our two selves (my own as a new mother and my daughter's) are taking shape. We are malleable and soft. Full of aw and curiosity as well as some anxieties. How much do I want to let unfold online? What's mine to share?
— @ereedlee
Wednesday, November 6, 2024
They only have meaning when they are seen by other people, when they are shown, when they are an economic vehicle.
— Elliott Earls, "I Almost Died! Show Me a Designer in Their 40's! My Response | Episode 142 | Elliott Earls"
Tuesday, November 5, 2024
Dixville Notch was created for the sole purpose of turning the Balsams resort into a voting location. Neil Tillotson, the hotel’s owner, won free advertising for the resort, and journalists took advantage of the in-house telephone company to deliver the town’s real, albeit statistically insignificant, vote tally 12 hours before exit polls from elsewhere in the country began to trickle in.
— Christopher Maag, "First U.S. Election Result Is In, and It’s a Trump-Harris Tie," The New York Times
Monday, November 4, 2024
... in the world ...
— Jessy Lu, part of an eloquent sentence I tried to write down but now can't read
Sunday, November 3, 2024
You're the whole banana split. Hold the peanuts.
— Lily to Wally
Saturday, November 2, 2024
The baby stuff does take over doesn't it.
— David
Friday, November 1, 2024
The danger of social media with me is not to me that I live in my own echo chamber and just have views reinforced. The danger is that I'm only exposed to the crazy people on the other side, right. Who make me, make it easier for me to adopt my own worldview.
— JD Vance, "#2221 - JD Vance, The Joe Rogan Experience"
Thursday, October 31, 2024
Who had owned this collection of photographic material (somewhere between art and instruction, we need not choose), and why did she discard it, en masse? The only reasonable answer was death. There was no other logical explanation. Who would do away with books like these, which would have taught her so much about how to be alive?
— Carmen Winant, Instructional Photography
Wednesday, October 30, 2024
The story of Scott Burton is a story about how fragile, mutable and, to some degree, arbitrary art history is. It illustrates how an artist’s legacy can be transformed by one decision. In Burton’s case, that choice was to leave his estate — including his art, belongings and copyright, as well as the ability to profit from the sale of his work and the responsibility to promote it — to MoMA.
— Julia Halperin, "A Dying Artist Left His Legacy to MoMA. Today He’s Almost Forgotten.," The New York Times
Tuesday, October 29, 2024
In 1933, Carl Grossberg began work on paintings he called the “Industrial Plan”, depicting Germany’s most important industries, but it was never completed.
— @jerrysaltz
